Tag Archives: Glenn Ligon: America

Glenn Ligon had his first solo show at the Whitney Museum of American Art in 1993, the same year he appeared in the museum’s much maligned biennial. At the time, politically provocative art dominated the cultural landscape, and as the conceptual artist channeled African-American cultural history through text-based pieces that declared things like “I feel most colored when I am thrown against a sharp white background,” Ligon found himself stereotyped as an artist propagandizing about racial identity. Continue reading →